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20/03/2011 Select interregional Veneto / Trentino Alto Adige

Sunday, March 20 are scheduled to select the inter-Vicenza Veneto / Trentino Alto Adige Italian championships for the next individual table football. In

this page you will find the information you need to participate and updates about the event.

Breville Waffle Recipe Blog

Serenissima rules

Once again players Venice Mestre make its voice: the first 4 positions of the fourth regional players there are in fact only the lagoon. Alessandro Mastropasqua stage wins in the final only to have the best sudden death of a great Andrea Scola, while the semifinalists quell'Edoardo Bellotto in the region that always comes to gamble and is slowly trying to return to optimum levels, and Roberto Agirmo, sorpresa del giorno.

Questa la classifica regionale dopo la quarta tappa.

Antonio De Rosa Zava 8

POS	GIOCATORE	CLUB	PUNTI
1	Mastropasqua Alessandro	Serenissima Mestre	350
2	Bellotto Edoardo	Serenissima Mestre	270
3	Scola Andrea	Serenissima Mestre	220
4	Rigon Dimitri	Bulldogs Vicenza	130
5	Agirmo Roberto	Venice Mestre	125
6	Mauro Castiglioni	Bulldogs Vicenza	105
7	Bernardi Daniele	Bulldogs Vicenza	80
8	Alberto La Rosa	Venice Mestre	75
9	Righetto Simone	Venice Mestre	73
10	Daniele Della Monaca	Venice Mestre	68
11	Boscolo Vicenza Patrick	Bulldogs	53
12	Pierluigi Bianchi	Venice Mestre	53
13	Billi	SubbitoGol Alessandro Ferrara	50
14		Bulldogs Vicenza	45
15	Soldera Simone	Venice Mestre	45
16	Bobbo Luca	SC Venice El Leon	38
17	Edward	Bulldogs Vicenza 38
18	Christmas Paul	Venice Mestre	38
19	Barbaresco Loris	Bulldogs Vicenza	38
20	Stringari Enio	Venice Mestre	31
21	Michele De Rosa	Bulldogs Vicenza	30
22	Volpi Giovanni Ferrara	SubbitoGol	30
23	Paolo Mariotto		30
24 Diego Cogo		Bulldogs Vicenza	15
25	Portesana George	SC Venice El Leon	15
26	Lazzari Davide	Venice Mestre	15
27	Sado Massimiliano		15
28	Velli George	Venice Mestre	15
29	Paul D'Ambrosio		8
30	Paolo Gobbo	SC Venice El Leon
31	Vienna Francis	Venice Mestre	8
32	Venzo Andrea	Bulldogs Vicenza	8
33	Carretta Louis	Bullodgs Vicenza	8
34	Michele Serafini	SC Venice El Leon	8

This How My Period Look Like

A song for the Certosa di Mino Milani

Questa nota nasce dalla mia recente visione del film "Fantasma d'amore" tratto dal romanzo scritto nel 1977 da Mino Milani.
Il film, diretto da Dino Risi, narra la storia di un uomo, Nino (Marcello Mastroianni) che, per puro caso, incontra sull'autobus la sua prima fidanzata Anna (Romy Schneider).
Le immagini dei primi anni '80 fotografano i luoghi di Pavia e di altri luoghi della provincia pavese, moderni e antichi allo stesso tempo, che sono ancora chiaramente riconoscibili..
La curiosità mi ha spinto a leggere il romanzo, che ho facilmente preso in prestito nella biblioteca di Certosa di Pavia.

Non voglio però raccontare qui la storia e le tragiche vicissitudini dei personaggi, ma cercare un'altra chiave di lettura.

Come spesso accade, l'adattamento cinematografico sacrifica molto dell'opera originale.
Un brano del romanzo, infatti non è stato ripreso dal film.

La storia raccontata dall'autore pavese è densa di tanti altri messaggi e ricche suggestioni. Mi ha colpito molto, proprio nel primo capitolo, leggere un brano che riguarda molto da vicino il Monumento della Certosa di Pavia. E' di una eccezionale attualità. Mi sono permesso di trascriverlo qui di seguito e vi invito a leggerlo, facendo attenzione che Mino Milani lo scrisse nel 1977.

Il giorno dopo ci fu la visita alla Certosa: “Lo so che è un sacrificio, for you, but I'm sorry if people think that you and snub us, look, you should definitely come, "Teresa told me. Yes, of course, I had proposed to go by car, we could give a lift to some of the older members, for example, or lord. But she was adamant: he had been chartered bus, and would have gone by bus, it was about seven kilometers, finally, and she was the president, I remembered? Yes, of course, I remembered, and so made the trip up, to leave this or that lady sitting. Standing with me were other husbands, smiling, satisfied and tireless in the conversation. A couple of times I caught the eyes of Teresa, which rested su di me un po’ perplesso e un po’ preoccupato, e accennai, allora, e sorrisi a dire che tutto andava bene e che il sacrificio non era poi così grosso. 

“La vedo un po’ stanco, caro dottore”mi disse il professor Neri, in piedi accanto a me. Ma guarda questo scemo, pensai.

“Eh, che vuole, professore? Il lavoro”

“E gli anni. Ogni anno ne passa uno”

“Non ci si scappa”

“Ma lei è ancora tanto giovane! Ah, conosce il ragionier Chiarini?” ed era la terza volta che mi presentavano Chiarini the accountant, the husband of a counselor.

"very honored" I said.

Professor Blacks said "The doctor is the husband of our president and the accountant Chiarini made a quick bow.

Meanwhile we had arrived and were beginning to fall, in the great square, with tall poplar trees - a last plume of yellow leaves, over the top, against the blue sky.

He led a visiting friar, white robe and black, sly air.

safe and patient answered questions, illustrated with authority, ease, sweeping gestures elegant, going under in the framework of corner angle, with a quick pace, and we followed grouped and fearful of losing some of his word. An accident. Why is that idiot professor of Blacks had found me a bit 'tired? Be ', perhaps a little' I was, yes, but I wanted to see him, I returned to work. Moreover, I agree, a period of rest m'avrebbe done well.

We were now in front of a large fresco, and the brother mentioned, raising his arm, with the elegant tunic that fell to discover the wrist, and said, "... but here, also a testimony to the opposite: that is the incivility of a people. The dark after the light, but this is perhaps too strong a term. We'll find another set. They have seen how, statues and bas-relief sculptures on the facade, the heads are missing ... Yes: the head, detached from the bottom, is more exposed to damage, but .. "a pause, hands open and raised" but in truth, those heads are gone, not because, or rather, not only because of injuries It took centuries of wear and tear of aging, say natural of all things created ... those heads are missing because they were stolen. Aye. .. that is, yes: stolen. The marble figures of the bands were beheaded. "

The brother is expected that the usual silent murmur of disgust, and continued: "But at least, then, it was sacrilegious thefts in the sense that the visitors were convinced in their faith, to take home the relics, carried by most those heads. Now, apart from the looting of works of art thefts in museums and galleries ... and certainly not for all men!, oh, now no longer be visited a monument of faith, which is precisely that, lest we forget, for the religious sense! ... Look here: graffiti. We hear about: american graffiti, of course ... and we find them in the house! No, no: we have nothing to learn! Know?, We Italians should put tutto sotto vetro e sotto grata, sotto chiave, insomma. Graffiti! Guardino: con un chiodo, un temperino, che so?, una forcina per capelli, guardino quanti visitatori hanno scritto qui il loro nome! Guardino” e faceva scorrere l’indice affusolato su quel reticolo biancogrigio di nomi, di date, di segni, che occupava la parte più bassa dell’affresco. 

Qualcuno alle mie spalle disse, sopra il brusio scandalizzato che si faceva sentire: “Io pubblicherei tutti questi nomi in un libro, avvertendo: ecco i nomi dei nuovi vandali!”.

“Giusto!”

“Macché libro! Multe, ci want, and savory! Force them to pay the costs of restoration, "

" Ah, but you should take them done! "

" For me, just as guardians

"Let them do their duty, yea"

"There," the monk had taken "the idiocy here, big word, but allow me to use it, the idiocy of some people" Peter R., 23 May 1968 "... Apparently this Mr. Peter felt very important. And this? "Luigi Bellotti said" They understand ...? He: How to write masters! It boasts, also, this Mr. Bellotti, "and had become almost a game, and the ladies of the circle is stretched to read names and dates, and the monk continued," Angelo and Marisa, five mars' ... Mars also misspellings, now ... and these?, they swear that you love, with the names surrounded by a heart? ... Guardino, "Nino, Anna, yesterday and today". "

I had seen them and read them, a moment before. Those of our names, Nino, Anna, yesterday and today. An oblique light. A renewed sense of wonder and deep, a dazed, slightly heart sank. Again. I remained motionless, while group, full of condemnation, he continued. Nino, Anna, yesterday and today. The stock fell from the book on the currency desk .. but this time ...

watched. Strange. Street, at least it was strange. A series of coincidences so tight. As if ...

"Nino, you come from?"

Teresa called me, turned me wincing, I replied: "Yes, arrival and looked again. Nino, Anna, yesterday and today. In a heart. Nothing special, you know, after all, there were scores of Nino and Anna who loved and visited the Certosa. Hell, I was sure of one thing: that graffiti was not my doing. I had never been a modern vandal. I went to the Charterhouse with Anna, who goes there?, But neither I nor her ...

"So, Nino?"

I hastened to the group.

In this passage is clear and very clear testimony of the author that the vandalism in the Charterhouse is not a phenomenon only present and that even then there was talk of neglect and abandonment of this architectural beauty. Continues with consistency, here and in Italy, the relentless "drift" of Monuments. Today, more than ever, is important for those who are sensitive to these issues should focus on trying to preserve and protect our heritage and cultural vandals and speculators.