Skin Dark After Hydroquinone

Series D Series D: inter-phase north to Cremona

E 'came the official: it will be' Stradivari Cremona SC to host and organize the 19 and 20 February 2011, the inter-phase NORTH D Series this season. Ben 3 Venetian will participate in the event: Bulldogs Vicenza, Venice Mestre and El Leon Venice, Mestre with the big favorites to not only access to the final in Rome but also to promote in the C series of promotional however, will have to win on the green cloth.
Veneto there and after years of anonymity, this is already a huge success!

What Do I Use To Build A Floor In A 14 Foot Boat

security?

gates, burglar alarms, guard dogs, patrol, police, cameras are not enough. Why? Many
if they ask for and many are looking for an answer.
the basis of "security" there are feelings.
E 'feeling that determines our actions and that takes precedence over rationality.

article published today in the local newspaper, I read that you need the "pact of the nearby" to stop the crime. The article is interesting and, in fact, I think he is also right. A "pact" between neighbors could be one of the best answers that I think have been made so far. This article, however, brings forth some questions to me so I will try to answer, and if you want, also try to put into practice.

How do you create a "pact" between neighbors?
With the "social cohesion".

And what can be la “coesione sociale”?
La “coesione sociale” è partecipare attivamente insieme alla vita pubblica.
La “coesione sociale” è godere di un equo accesso ai beni e servizi pubblici e ad una equa distribuzione del reddito e della ricchezza.
La “coesione sociale” è saper riconoscere e tollerare le differenze.
Alcune cose dipendono da noi stessi, altre no.
Nessuno potrà mai creare la fiducia e la sicurezza partendo dal nulla.

Ci sono situazione e  fenomeni che incidono sulle nostre condizioni di vita, sul nostro “stile di vita”: le cause possono essere la perdita o la violazione di un diritto o di un interesse legittimo.
The structure and composition of society, the social and demographic change, the media (TV, newspapers, internet, etc..) Can destroy trust and create fear, but can also create the opposite effect.
The feeling of more or less "security" is linked to the possibility that we make progress and achieve full development, reaching our daily well-being.
security also depends on government action (the central government, local government and security policies and prevention) and private key that can expand or collapse our rights and legitimate interests.

If we see injustice being done openly, we have in our souls the sense of justice and have the confidence that, consequently, can make us feel safe.

If we have the perception of not being able to protect our rights and unable to meet their own needs, our soul is deprived of security.

All security-related threats have a negative impact on our feelings.
Creating opportunities or meet the needs created the "social cohesion".

are basically three areas where the feeling takes the form of "security" means any place where we live (classification of spaces, quality of public spaces and private services, maintenance ...), relations social (prevention policies and inclusion, strengthening of networks ...), relations with government and private (creating opportunities, provision of services ...)

With the decay and loss of social cohesion , which consists of networks of trust, solidarity and participation generates insecurity.
To create the "security" people must share a sense of belonging, inclusion and participation in social life.
Participation, however, presupposes the "sacrifices" as - for example - the ability to understand and tolerate those who think like us.

from "the province Pavese" of December 20, 2010

San Genesio. The Pact neighbors to stop the thieves

not enough dogs, alarms, window bars. It can serve as the eyes of someone on the other side of the fence.

Jenesien. Thieves, a nightmare, take the covenant of the neighbors. Are not enough dogs, alarms, window bars. It can serve as the eyes of someone on the other side of the fence. In just over a month, a dozen robberies (and attempted theft), divided for three-four countries (Borgarello, Charterhouse, St. Genesius).

Via Di Vittorio, San Genesio, participates with three hits and scored as many tries. The thieves, as happened in the districts of Pavia (St Peter Pavia West Valley) come in waves. They target an area and go through systematically impudence. E 'success in the process of Vittorio, townhouses. Sort and many with Christmas decorations. Quiet neighborhood. Attractive port of call for the thieves. "They arrived at the same time, shortly after the 18 'provides one of the robbed in the area. "True, I arrived at 18.10 - adds Marco Bonato, visited another of Via Di Vittorio - empty house. The alarm is sounded. My wife is back and perhaps led them to flee. " There was also a dog in garden of the villa. The dogs do not bark when the robbers arrive? Turn them a voice narcotizzino. "But no, my poor barked how. They also heard - adds Mr. Bonato - then the thieves have tried to stun him. They've pulled a pot head. At that point, the frightened little animal hid. " No mercy. Other than spray drugged, pot shots in the head. A house Bonato thieves came to the foreground. With a kick broke down the doors and searched the room until ready to be put to flight by the return of the owner. Same story in other homes attacked. At the same time, shortly after sunset. But how do they affect the knowledge that the house is empty?

«In paese - racconta un altro derubato nei mesi scorsi del paese - hanno visto una Bmw che andava avanti e indietro. Qui ci si conosce tutti. Proviamo a difenderci guardando meglio a cosa accade». Ecco così il patto dei vicini. In via Di Vittorio un allarme che suona non è più per un guasto, è meglio verificare subito.

Se un cane abbaia più forte del solito, è meglio gettare un occhio. Intanto allarmi più sofisticati e inferriate più solide (ma in un caso le hanno scardinate). Costano 1500 euro per portafinestra da proteggere. Presto fatto il conto. In una villetta per chiudere quattro ingressi servono 6mila euro. Senza contare le finestre. Anche i sistemi d'allarme sembrano non essere più sufficienti. In fact, at least in San Genesio, the robbers continued to act despite the siren sounded. What makes the difference is someone going to check the alarm because of nearby fire. Here is the deal of the neighbors, to give themselves a hand.

(Fabrizio Guerrini)

New Bumps After Permethrin

The lagoon doubles

Continued growth of calcium table in the Veneto region and especially in lagoon at Venice Mestre now joins the ' ASD Subbuteo Club Venice "El Leon" George Portesana.
It seems not all: in 2011 it could be (re) birth to something even in Treviso ...

Closet Rods For Slanted Walls

Classical Music in San Michele Arcangelo

Sunday, December 5, in the parish church of San Michele Arcangelo in Torre del Mangia (Certosa di Pavia) the College of Music, Italian music ensemble directed by M. Adriano Gaglianello, did live notes of Mozart, Albinoni, and Caldara. The evening's program included only sacred compositions of the three authors.

The theme of the evening stato incentrato sull'influenza che la musica italiana, e in particolare quella di Antonio Caldara (Venezia 1670 - Vienna 1736), ha determinato sullo stile musicale austriaco e sul repertorio sacro di W. A. Mozart (1756-1791). Antonio Caldara fu un compositore molto prolifico: circa 3500 opere musicali per il teatro, oratori, pezzi sacri e scritture cameristiche. Lavorò prima alla corte dell'ultimo Duca di Mantova, poi a Barcellona da Re Carlo III (poi diventato imperatore), a Roma maestro di cappella del principe Ruspoli (dove conobbe Händel e la famiglia Scarlatti), ed infine a Vienna dove fu la personalità più ricca attiva nelle prime decadi del Settecento. Fu Caldara a terminare il periodo di supremazia italiana (e veneta) nel Baroque musical theater. In Vienna, where he spent the rest of his life until his death, which gave proof of great creativity. Compose for the Archbishop of Salzburg plays in each year from 1716 to 1726. This work has the characteristic of being always new pieces, they were not easy to adjust the work already represented earlier in Vienna. This enormous effort of composition did not escape the attention of Mozart, as he writes in letters, shows a particular interest in new products that Caldara was introduced. The Venetian composer indeed innovated contrapuntal style with themes inspired by Corelli and Pergolesi and arias and popular songs. Caldara centralizes the importance of the orchestra, presente sia in ritornelli strumentali, in sé conclusi, sia nella sinfonia d'apertura che si caratterizzano spesso con la presenza di brani di recitativo strumentale espressi da strumenti solisti, seguendo il gusto molto amato a Venezia. L'influenza che il compositore veneto ha determinato nel panorama musicale austriaco, la si ritrova nelle opere sacre di Mozart, nelle quali si possono ascoltare alcune vere e proprie citazioni delle opere del Caldara.
Il grande patrimonio musicale che ci ha lasciato si compone di una grande quantità di opere di vario genere: melodrammi, serenate, feste teatrali, componimenti da camera, oratori sacri. Circa 50 messe, un numero imprecisato di mottetti (almeno 200), cantate sacre e circa 300 cantate profane a solo voice and continuo. Many sing in two voices, about 500 charges, more than 40 madrigals, instrumental music varies. 2 books of musical fun for the country, Septetto for strings, 6 string quartets, 4 volumes of compositions for harpsichord, 23 joints with variation, Capriccio, Arpeggio, Proba organ; 8 sonatas for violin and bass, 7 to 3 sonatas for 2 violins and bass , 2 even with clarinets. Two songs to listen: La Clemenza di Tito with a libretto by Metastasio and Magdalene at the feet of Christ.

The music and choral singing, in a specific context, creates a new dimension to the sites. The atmosphere that was created Sunday night at church was full of spirituality, very intense and engaging, which is not in the concert halls. It 's really a pity, perhaps because of the snowstorm, there was a greater audience participation. A Certosa di Pavia is not often attend performances and the like, personally, I hope we can resubmit in the future such an opportunity.

The evening's program:

WA Mozart - Missa in C KV65

four voices, two violins and basso continuo

A. Albinoni - Magnificat

for only choirs, two violins and basso continuo

A. Caldara - Missa in G major

four voices, two violins and basso continuo

WA Mozart - KV109 Litaniae Lauretanae

four voices, two violins and basso continuo

the College Italian Music

Soprani : Teresa Nesci, Laura Lanfranchi

Contralti : Sabrina Pecchenino, Annalisa Mazzoni, Monica Ninghetto

Tenors: Massimo Lombardi, Alessandro Baudino, Claudio Poggi

Netherlands : Dario Previato, Marco Milanesio

Violins : Mauro Massa, Liliana Mijatovic

Cello: Mark Angilella

Institution: Andrea Banaudo

Director: Adriano Gaglianello

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Gian Galeazzo and mystery in the Certosa di Pavia in Pavia

In these recent times there has been much talk of the Certosa di Pavia. Now looks like a swollen river, at least in the columns of newspapers. Reading the news in the papers you find that there are many admirers of the history of Pavia, prolific source of news and curiosity.
As noted in previous posts, with the 'George Boatti article of November 28, 2010 proves that our reality today is the result of intricate events that happened in the past.
In all periods of history, inevitably, there are secrets and mysteries that perhaps will never be revealed. In this post I gather the support of a passionate reader who, stimulated by the reading of that article on George Boatti provicia Pavese, was inspired to write an interesting letter to your newspaper about an intricate puzzle. The story is intriguing and it will, in future, add more details to these mysteries.

The "snake" Visconti

Giancarlo Mainardi (Pavia) the Province of Pavia December 2, 2010

E 'HIM OR NOT' HE?

Very interesting article by George Boatti our Certosa and Gian Galeazzo, Duke of Milan and lord of Pavia. As you may know, the story is also made against history, or of facts kept secret at the time, hidden behind a screen, and emerged several decades or centuries after the events. Thus the chronicles tell us that Gian Galeazzo took refuge in the castle of Melegnano to escape the contagion of the plague, but despite the different treatment where he died in September 1402. The body had become infected and caution the funeral was celebrated in the cathedral of Milan with the body absent. The fear was great, and pray in front of a plague-stricken corpse, and also discover how they used at the time, was considered dangerous thing for the faithful and especially for the noble gentlemen who have come from everywhere. And from here on out the story turns into a gossip secrets from notes because of a couple of monks, then taken up by historians and Giacinto Romano Pavia Bernardino Corio, it seems that the Duke's body was secretly cremated and the rich coffin wood and bronze was placed a corpse is not infected by an unknown Pavia died in those days. Very few were aware of the secret and now sealed the coffin was moved for a short time in St. Peter's Ciel d'Oro and then be buried in the beautiful marble tomb in the Certosa. So is he or is not he? We do not know ... If we give credit to the notes of the monks living at the time, not him, but even so, I believe now that it no longer matters to anyone. Do you still follow the thinking of the library Boatti Visconti and on a possible digitization project. Wonderful idea, after two centuries at least we could get back into an image that treasure of knowledge that Napoleon stole it in 1796. From that predation was saved only one volume: a hand-annotated by Petrarch Virgilio, randomly deposited in the house of a bunting, Messer Fulvio Orsino, and then bought by Cardinal Borromeo and entrusted to the Biblioteca Ambrosiana. The fate of the volume was probably unlucky ripredato ended by Napoleon in the National Library in Paris, where the precious tie velvet and silver was replaced by another blue leather with a big N on his forehead. After tight diplomatic contacts we were only returned in 1815 and is still visible in the Ambrosiana. For the rest of the library but the French have always responded that "they are spoils of war e. .. Therefore, we keep them. " Well, Vive la France ... In tiny, of course.

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The speculation in the fourteenth century

When I started writing on this blog, I set out to look for lesser-known historical information to those who are regularly on the books of history and geography that describe the church, the cloister and the art of the Certosa di Pavia.
One thing is the description of places, it is quite another to reflect on aspects of, say, "boundary" related to these major works of the past. It 's interesting to analyze the social and economic events that have helped build our reality, including the complex issues and events that we now have to solve when we address the issue of "preservation" of our priceless historical and artistic heritage.
This is interesting reading the article, signed by George Boatti, published in the Province Pavese of Sunday, November 28, 2010.

The modern "reinterpretation" of the historic Battle of Pavia in 1525 (San Genesio - September 2008)

That bad idea to Gian Galeazzo

If the time machine could take us back back a few centuries, we should say, to Gian Galeazzo Visconti - Count of Virtue (from Vertus, a town in Champagne, which is brought as a dowry by Isabella of Valois), Duke of Milan, lord of Pavia and a few dozen other cities scattered between the northern and central peninsula - which to erect as his final resting the Certosa was a bad idea.
Okay, Galeazzo thought in large and had the "disease of the brick." Like all masters of the Alfa Romeo - who was then a symbol of the Visconti and strange paradoxes, however, still seems to accompany those from Milan does not give up his possessions spread over every horizon - not even the media was careful to underline their supremacy over all . Gian Galeazzo before putting his hand to the Certosa, mobilizing the best of the artists available at the time, had made his home in Pavia the most magnificent princely residence in Europe. With a library, then dispersed outward, which had an enchanted as Petrarch, who, as in books, something he knew. All this had taken place within the walls of the castle of Pavia, built by his father in a few years, thanks to a futuristic building technique. What? One for which, if the builders did not comply with the timetable of work, or do not execute them to perfection, with the closest collaborators ended up hanging from a noose tied to the scaffolding. A solution that, if he were still in force today, decorating the facade of the famous hanging Broletto of Pavia, in constant renovation for years. Or the endless construction site of the former monastery of Santa Chiara, on the next twenty years the town library of Pavia. Or many other works started and never finished. And penalized by the lack of sensible infrastructure maintenance. However, in addition ad alloggiare bene, Gian Galeazzo voleva anche che la propria anima fosse adeguatamente accudita. Da lì l’idea della Certosa e dei santi monaci che avrebbero dovuto pregare per lui, e per tutta la sua famiglia, in quel monumento che è diventato uno dei simboli significativi della stessa civiltà lombarda.  Una presenza d’arte e bellezza che richiama ancora oggi tantissimi visitatori (e la prima cosa seria, per provvedere a un realistico piano di rilancio turistico e culturale del territorio imperniato sulla Certosa, sarebbe verificare il loro numero. Smetterla di sparare dati a casaccio). Di certo i visitatori sono tanti. Vengono. Visitano. Vanno. E non lasciano nulla, o quasi nulla, al Comune di Certosa. Alla vicina Pavia. Al surrounding area, namely that park Visconti now seems only a succession of passes and various settlements but where there is still a farm Repenti who was the pivot of the battle of Pavia in 1525, that he fell captive King Francis I, delivering the supremacy of Europe to Spain for a while 'for years. Shortly before, there is also the castle where, following the example of Vigevano "Leonardo Project," is not impossible, using digital technology available today, reviving the splendid library Visconti scattered all round the courts of Europe and which in time became dream Petrarca. Of course, the Chartreuse is a symbol for consideration. He says Councillor for Culture of the City of Charterhouse and he's right. The Charterhouse - if you suffer and not be transformed into a dynamic asset management, part of a wider consultation recovery - is a weight, adding the mayor, gives more negative charges honors. Perhaps it would be better not these whining and the Call (even compared to the provincial Tourism alderman that perhaps the only exception in the status quo of the junta Poma, does not give up stubborn to do everything possible to revive this area). Once, when Pavia was a well-established regional headquarters in the province and encouraging more active game team to exploit opportunities in this situation would have organized a "table land" on their own strengths and weaknesses represented by Charterhouse. It would be called in to local authorities, public administrations, universities and private operators and, why not, and maybe even the holy monks of the diocese. All of initiatives to develop a scenario where the monument built by Gian Galeazzo and cultural tourist offer of Pavia, the vacuum of disclosure around the Battle of Pavia and the need to return the Charterhouse not only a popular art but also button, a spiritual center, would be essential points of departure. It 'too much to ask that - instead di procedere per polemiche e lamentazioni - si prenda questa strada? Di tempo se n’è perso parecchio. Per fortuna che Galeazzo riposa per sempre nel suo sacello. Altrimenti - vista la fallimentare tabella di marcia e le inadempienze di tutti - lungo la strada da Certosa a Pavia non mancherebbero penzolanti “testimonial” degli errori compiuti. Oscillanti nella bruma di un inverno che, per la Certosa e Pavia, non è mai riuscito a sbocciare in una convincente e generosa primavera.
Giorgio Boatti